Running time: 78 mins.
Utilising a mixture of grainy black and white and vivid colour cinematography, director Oron Cohen presents a montage of solo and girl-on-girl action over four scenes.
Stuck in a lift, busty, tattooed blonde Sadie Swede sits against the caged door and masturbates.
In a bare, almost empty room, Sophie shares a shabby sofa with Shyla Stylez and Sienna West. The three run their hands over each other's bodies as the screen flicks from black and white to colour. Biting at each other's boobs, hands move down to panties and fingers explore. Leaning forward, Sophie dribbles over Shyla's shaven snatch as the colour seeps away. Lying back, the three lick and lap at each other's heels. Tongues search out pussies and lap. Letting out a scream, Sophie squirts, to the surprise of Sienna. With fingers pulling and probing, the three girls climax.
In a semi S&M session, a dominant Madison Scott keeps London Keyes on a lead for sex.
Sophie makes a second appearance, this time with Natasha Nice, Charlie Chase and Sea J Raw. Against a backdrop of party balloons, Sophie is the centre of attention as she lies on a low blue mattress and lets the other girls pleasure her. Placing a rose in her mouth, the three tug at her tits and nibble her clit before pouring red juice over her pussy. The girls focus changes and it's time for Natasha to feel the girls' hands on her body and bum. Charlie is next to be pawed. A fluorescent pink vibrator is pushed between her legs. The girls lap at her juices. Finally, with Sophie's help, Sea J is filled with love balls and her pussy teased. Dripping wet, the four kiss.
Although a good idea, the use of 'arty shots' and editing does go a little over the top, with out of focus zooms and super saturated hues. At 1¼ hours running time, the film is also a little short by modern standards. Good news however for Sophie fans as she also appears in the bonus scene with Asa Akira and London Keyes - a direct lift from Art of Discretion. Overall, the palette of New Celluloid Trash 2 is a little too brash for my liking.
Review by Dawn "Hot Totty" Birtle
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